Storyline Direction
Pros: Of the highlights (there were few), there was the previously mentioned Tessa storyline, a wasted short-term arc that actually warranted
further exploration. The Katherine storyline was intriguing. The body swap,
while predictable, proved to have more entertainment value than any other
storyline possessed. Katherine bonding with her daughter, Nadia, was also an
emotionally rewarding arc.
Storyline Direction
Cons: There were so many, it was hard to keep track. The reign of Silas,
the fated doppelganger love story and the experimenting secret society were all
dreadful. Last year’s season finale left things in such a wonderful place that
it seemed season 5, would be the best of all. It was certainly set-up to be. The
central love triangle creaked at every turn. The “Stefan and Elena are kismet”
storyline felt incredibly forced. Damon and Elena’s relationship rapidly fell
apart at the beginning of the season and quite frankly, they have yet to be an
actual couple on the show. This wasn’t a Team Delena season or a Team Stelena
season; it was Team Stagnant.
Damon was practically intolerable this season. Every episode
was the same thing. He’d brood, feel misunderstood and pout by killing people,
feel bad about that and go about snarking. His “we’re bad for each other”
speeches to Elena seemed an endless procession of self-pity. If anything,
season 5 was the season that “The Vampire Diaries” created irreversible damage
to one of its most interesting characters.
The constant threat of character deaths rang immensely
hollow. No major character ever stays
dead on this show and at this point it has gotten ridiculous. If they never
plan on actually losing the character, then don’t kill them. The trust that
viewers feel when they think an actual twist has occurred has been betrayed
countless times. The last cheap stunt of the season, Stefan’s “death” was one
of the most flagrant demonstrations of this. There is a reason people are
captivated by the shocking deaths on “Game of Thrones”; because they actually
mean something.
Production Caliber:
The college campus and dorm rooms blended in with motif of the series. The
special effect of the tornado of death got old quick.
Performance Quality: Nina Dobrev has grown so much as an actress and this season she got a chance to show off how much. Between Katherine, Elena and the dazed soul-mate of Silas, she turned in an array of brilliant performances. She accomplished a career-best during the series’ 100th episode “500 Years of Solitude”, as Katherine her performance was an emotional collective of soft vulnerability and an indefatigable determination to survive.
Kat Graham turned in quite a few
memorable moments this season as the heroic Bonnie. Graham especially shined
during the finale, a mix of courageous resignation and anxious turmoil.
Short-lived guests Janina Gavankar and Olga Fonda proved to
be illuminating breaths of fresh air, Gavankar with her saucy turn as Tessa,
the vengeful siren from Silas’ past and Fonda as Nadia, the expressively
fragile but resolute daughter of Katherine. It’s a shame neither actress was
allowed to stick around. Despite the series numerous fake out deaths, these
were unfortunately two of the few that lasted.
Musical Score:
Birdy’s soaring ballad “Wings” closed out the season and the remarkable tempo,
accented the swirling events.
Overall Grade: D-,
nearly an “F” there was little to enjoy this season. Perhaps it was the high
expectations for this season that made it fall even shorter, than it might have
otherwise. It was simply disappointing. Given how terrible the finale was maybe
next season will surprise by being incredible. Hopefully, the key is having an
awful finale so you can have a better season long-term. It’s worth hoping for, at
least.
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