Storyline Direction: Let’s cut to the chase, this was not the best season “The Vampire Diaries” has ever had. As previously reported on Eclectic Pop, there were doppelgangers left and right, a plot hole palooza and
contrived character turns.
One aspect that irked the entire season was that it felt incredibly leading and forced. There seemed to be no breathing room for viewers to comfortably root for whatever character they desired. They were being preached at, the entire time.
One aspect that irked the entire season was that it felt incredibly leading and forced. There seemed to be no breathing room for viewers to comfortably root for whatever character they desired. They were being preached at, the entire time.
The Stefan/Silas storyline was boring and overshadowed way
too much of the season. There was hardly any difference in the way Silas was
written compared to Stefan and yet we were supposed to see this huge contrast. Damon
has been written into a corner that is so tight, it is growing increasingly
difficult to find any redeemability left for him. He still falls short of the
bad deeds committed by Stefan though.
What is so frustrating is that while
Stefan has committed mass murder, all of the characters on the show continue to
tell him he’s misunderstood while, Damon chucks away his relationship with
Elena over his guilt and she argues with him for .5 seconds over it.
Another issue, Stefan’s hypocrisy over being trapped in the “Summer
of the Safe” storyline and acting crotchety with Damon and Elena for “abandoning”
him. All the while, we learn that he didn’t set the world aflame in a quest
to find Damon, who was missing for 5 years, being held captive and tortured in
the 50’s.
The writing quickly tried to dismiss Stefan feeling any guilt because he and Damon were on the outs. However, Stefan said he was leaving town at the end of the last season, giving no indication he’d be checking in and yet he is completely justified in his righteous anger because Damon and Elena should’ve been anxiety ridden over his whereabouts. Seriously, where is the story consistency?
The writing quickly tried to dismiss Stefan feeling any guilt because he and Damon were on the outs. However, Stefan said he was leaving town at the end of the last season, giving no indication he’d be checking in and yet he is completely justified in his righteous anger because Damon and Elena should’ve been anxiety ridden over his whereabouts. Seriously, where is the story consistency?
Production Caliber: The college felt sprawling and the
flashbacks felt lush. The lighting in the Salvatore mansion has gotten too dim, drastically darkening with
every episode.
She was a lightning storm of fantastical exuberance, a welcomed reprieve. If there’s one new character that should’ve stuck around, it was hers.
Nina Dobrev (Elena) wonderfully balanced her multiple roles
this season. She has truly come into her own as an actress. The scene where all
of Elena’s doppelgangers were in one place was the perfect display for Dobrev’s
talent, as viewers could easily tell the difference, without a word of dialogue
needing to be spoken. Ian Somerhalder remained stalwart.
Musical Score: No song stood out in particular. The atmosphere
was sustained by the series’ signature melodic indie rock.
Overall Grade: D,
the stellar performances of Gavankar, Dobrev and Somerhalder sustained a dismal
season that will hopefully see a half-time comeback in 2014.
[Image by The CW]
[Image by The CW]
Comments
Post a Comment