Storyline Direction
Pros: The season has improved as it continues; a good sign for any freshman
series. Elijah has become a more prominent character and his particular brand
of restrained ferocity is a refreshing presence to have. The nascent romance
between him and Hayley has developed nicely, throughout the season.
The writers are giving it enough room to develop in a natural fashion. Devina (Danielle Campbell), the teenage witch and secret weapon of Marcel, offers a compelling mix of innocent heroine and precocious urchin, remaining likable for the most part.
The writers are giving it enough room to develop in a natural fashion. Devina (Danielle Campbell), the teenage witch and secret weapon of Marcel, offers a compelling mix of innocent heroine and precocious urchin, remaining likable for the most part.
The battle between Marcel and Klaus has had its moments of
taut intrigue. Bartender/waitress Cammy (Leah Pipes) has been a more wholesome and purely
likable character, than most of these genre series allow. Her struggles with
nurture vs. nature and her fear that she might be suffering from the mental
illness, believed to be the cause of her brother’s violent outburst, has brought
something tangibly human to the series.
Storyline Direction
Cons: The family element that composes the central nucleus of the series is
still, off kilter. The bond between the Mikaelsons; feels forced and lacks
organic fuel. Marcel and Klaus’ relationship is another relationship that lacks
cohesion. Klaus, the cruel nihilist that we are (not?) supposed to be rooting
for went from all out, hating his former protégé to desiring a rekindling of
their lost affection.
For a character that cannot demonstrate a mustard seed of forgiveness or caring for anyone else, the reasoning behind his love for Marcel seems, out of character. Their bromance has reached epic proportions and while, Klaus self-loathingly adores Marcel, he isn’t so inclined. How can viewers feel any differently? The character is beyond irredeemable and yet, most of the characters feel a resistant affection for this misanthrope.
For a character that cannot demonstrate a mustard seed of forgiveness or caring for anyone else, the reasoning behind his love for Marcel seems, out of character. Their bromance has reached epic proportions and while, Klaus self-loathingly adores Marcel, he isn’t so inclined. How can viewers feel any differently? The character is beyond irredeemable and yet, most of the characters feel a resistant affection for this misanthrope.
Rebekah and Elijah were both tongue lashed because of their
“cruel” treatment of Klaus, a sentiment the show uses as its crux to justify
the continued turning of heads, when he misbehaves. The big reveal was that ages
ago, Klaus had been tied to a tree by Elijah, to prevent him from killing more
people in the onslaught of his werewolf awakening.
Mustering that as their motivation behind always cutting Klaus a break, was weak. He has done much worse since and this event seemed a trivial reason as to why, he is so evil.
Mustering that as their motivation behind always cutting Klaus a break, was weak. He has done much worse since and this event seemed a trivial reason as to why, he is so evil.
Klaus is a villain, the series presenting him as a
misunderstood anti-hero is pushing even the generously, lackadaisical black
hole of morality that is “The Vampire Diaries” standard op. Speaking of TVD,
Tyler is the character, who is the least threatening presence that could have converged on
the series with his agenda. After watching him fail to do anything for three
seasons, it seems impossible that he would succeed on Klaus’ home turf.
Production Caliber: New
Orleans comes across lively and with an air of jazzy cool. The sets are warm
and inviting, offering an interesting juxtaposition to the often cold exploits
of its characters.
Performance Quality:
David Gillies (Elijah) continues to be the linchpin that holds the ensemble together.
Phoebe Tonkin (Hayley) has developed her spark further on the series. Leah
Pipes has had highly impressive, emotive moments as the besieged, Camille
“Cammy”. Claire Holt (Rebekah), Charles Michael Davis (Marcel) and Danielle
Campbell (Davina) adequately round out the cast.
Musical Score: The
series had quite a few robust, musical moments. One that especially stood out
was “Promises” by The Boxer Rebellion.
Overall Grade: B,
the series is finding its footing as more than a spin-off to predecessor, “The
Vampire Diaries”, by carving out a dynamic mythos for itself.
[Image by The CW]
[Image by The CW]
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