What throws off the atmosphere is that it feels like an attempt at satire instead of a proper interpretation of its source material. “Vampire Academy,” tells the tale of Rose (Deutch), a human/vampire hybrid whose job in life is to protect her best friend Lissa, a mortal vampire. That central storyline serves as the backdrop to a sort of spoof on the entire vampire genre.
The
script’s constant pop culture references and teen-girl lamentations are
bountiful, cheerily laden throughout its duration. While the dialogue whisks by, the same cannot be said of the storyline's tempo. It trudges forward with selective bits of revelations and ghoulish twists. The mystery’s conclusion and
the culprit are relatively evident from the outset.
As an overall film, “Vampire Academy” lacks cohesion. It is a series of
moments, occurrences, and awkward jokes. There's not enough time spent developing any plotline to the point it grows into something worth caring about. The character of Lissa (Lucy Fry) is especially underdeveloped. The movie tells us we should care about her but never gives the audience a reason to.
The overarching mystery seems to drop out of focus and then veer into the spotlight. That inconsistency is similarly felt on a visual level as the cinematography loops into rich clarity and then spirals into a frigidness that lacks any warmth. The special effects are decent, though the constant morphing of eye color is heavily reminiscent of the “Twilight” movies.
The girls' central relationship fails to resonate
as Fry and Deutch cannot quite capture the buddy chemistry for a connection of the written
depth. Amongst the novices, Deutch makes one of the most vital impressions, leaving the others to appear relatively
flat in comparison.
She also holds her own against veterans like Gabriel Byrne and Olga Kurylenko, who are both wasted in a limited screen capacity. As well cast as Deutch, Byrne, Kurylenko, (standout) Danila Kozlovsky, and Sarah Hyland are in their roles, the same cannot be said for the rest of the ensemble.
She also holds her own against veterans like Gabriel Byrne and Olga Kurylenko, who are both wasted in a limited screen capacity. As well cast as Deutch, Byrne, Kurylenko, (standout) Danila Kozlovsky, and Sarah Hyland are in their roles, the same cannot be said for the rest of the ensemble.
“Vampire Academy” tries to draw blood as it takes shots
at “Twilight” and other vampiric offshoots, failing to be taken as a serious
adaptation or stand-alone movie in its own right. One cannot help wonder how much dialogue could’ve
been available had all of its verbal jabs been eliminated in favor of actual
plot and character development.
There was a lot of untapped potential in this foray. Laughable moments, such as Rose stepping out to protect the seemingly more powerful Lissa, cause the movie to ring hollow as anything more than fantasy fluff. "Vampire Academy" does not suck. It has some redeeming factors. Unfortunately, its life force is too compromised for them to be fully realized. Rating: 6/10
There was a lot of untapped potential in this foray. Laughable moments, such as Rose stepping out to protect the seemingly more powerful Lissa, cause the movie to ring hollow as anything more than fantasy fluff. "Vampire Academy" does not suck. It has some redeeming factors. Unfortunately, its life force is too compromised for them to be fully realized. Rating: 6/10
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