Of the unanswered questions, the major ones lingering in the
wake of the finale were the paternity of Elena’s (Jordana Brewster) baby and
whether Christopher (Jesse Metcalfe) actually died in the explosion. Personally,
I had doubts. To its credit there were other storylines that drew to an
appropriate close. Anne (Brenda Strong) and Bobby (Patrick Duffy) reconciled
and she made peace with her once mortal enemy/ex-husband, Harris (Mitch Pileggi).
Sue Ellen (Linda Grey) had become sober. While her jaded son John Ross (Josh Henderson) forged an alliance with Harris’ devilish mother Judith (Judith Light) and learned he had a long lost half-sister. His story ended on a mixed note, down and determinately hopeful.
Sue Ellen (Linda Grey) had become sober. While her jaded son John Ross (Josh Henderson) forged an alliance with Harris’ devilish mother Judith (Judith Light) and learned he had a long lost half-sister. His story ended on a mixed note, down and determinately hopeful.
What’s sad is despite deteriorating ratings, the series
never lost its grip on quality storytelling. The actors had really melded as an
ensemble and Josh Henderson had come into his own in the role of J.R.’s cunning
heir. The series would wisely shift the focus towards him.
The always reliable Patrick Duffy had grown into a strong family patriarch. Bobby’s journey was perhaps the most rewarding to revisit, years after the original series. He still had his signature moral center but he’d matured in his idealism and his realization of compromise was a realistic right-of-passage into later adulthood.
The always reliable Patrick Duffy had grown into a strong family patriarch. Bobby’s journey was perhaps the most rewarding to revisit, years after the original series. He still had his signature moral center but he’d matured in his idealism and his realization of compromise was a realistic right-of-passage into later adulthood.
A troubling aspect was the waning presence of Pamela (Julie Gonzalo), the series’ resident vixen in previous seasons. Her marginalization began during the John Ross/Emma affair storyline
and the subsequent fallout only led to a minor bump in her presence. Gonzalo
had done a wonderful job building the character of Pamela from shifty con-woman
to emotionally damaged rich girl.
It was her dynamic performance and chemistry with co-star Josh Henderson that had created a power couple for the show. The series lost an opportunity in not fully showcasing their potential.
It was her dynamic performance and chemistry with co-star Josh Henderson that had created a power couple for the show. The series lost an opportunity in not fully showcasing their potential.
The most obvious or probable reason for the declining rating of “Dallas”
was the passing of the incomparable Larry Hagman and his iconic performance as
J.R. For viewers who’d tuned in precisely to see him, the loss was
insurmountable. The series did spin a spectacular final story for J.R., who
continued his manipulations from the beyond the grave. However, it might not
have been enough for long-time viewers.
The saddest part of losing “Dallas” is the show had so many
stories left to tell. It was one of the few series to never grasp at straws for stories. Its characters were richly designed to naturally provide
indefinite drama. Showrunner Cynthia Cidre had given the show powerful legs to
stand on and its legacy will stand tall.
Are you just as upset to see "Dallas" go? Eclectic Pop wants to hear from you! You can share your thoughts by tweeting @EclecticPop or leaving a comment below.
Are you just as upset to see "Dallas" go? Eclectic Pop wants to hear from you! You can share your thoughts by tweeting @EclecticPop or leaving a comment below.
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